One More Gift Summary, Characters and Themes
One More Gift by June Holly Smith is a provocative, emotionally intense novel that explores the boundaries of love, lust, and emotional transformation against the backdrop of a snowbound Christmas holiday. Centered around Saskia, an art dealer, the story unfolds in a secluded country cottage where unresolved relationships and unexpected reunions create a setting for deep personal reckoning.
Through erotic exploration, shifting emotional dynamics, and acts of vulnerability and control, the novel navigates the messy, human terrain of identity, desire, and liberation. Smith crafts a narrative that is both sexually explicit and deeply introspective, examining how past and present lovers can shape a woman’s sense of self.
Summary
Saskia, an art dealer emotionally entangled with her past and her future, escapes to a remote country cottage to reunite with Henry, her oldest friend and former lover. Their bond has remained emotionally potent despite a long physical separation—Saskia residing in London and Henry in New York.
She prepares the cottage meticulously, yearning for emotional and sexual closeness after months of separation. When Henry arrives, their chemistry reignites instantly, underscoring the powerful connection they’ve harbored for years.
Their night begins with tender intimacy, the long-anticipated return of a dormant love.
The moment, however, is disrupted by the unannounced arrival of Saskia’s estranged husband, Casper. Still technically co-owners of the cottage, Casper’s entrance complicates the emotional and physical intimacy between Saskia and Henry.
Although Saskia and Casper are in the process of divorcing, Casper’s presence is commanding, charismatic, and emotionally intrusive. What initially feels like an uncomfortable reunion becomes a daring challenge when Casper provocatively suggests a threesome.
His motivation is not purely sexual; he aims to provoke, close old wounds, and perhaps even provide Saskia and Henry with the opportunity to move forward.
The atmosphere evolves into one of erotic experimentation and emotional uncertainty. Henry, initially cautious, becomes drawn into the dynamic Casper introduces.
Saskia, torn between nostalgia and new passion, surrenders to the sensual experience. The night becomes a physical and emotional turning point, where boundaries blur and hidden desires emerge.
Despite Casper’s provocative presence, it is Henry’s touch and emotional steadiness that centers Saskia, providing her with clarity amidst the storm of emotions.
Casper, paradoxically both disruptive and enabling, creates the space for Saskia and Henry to truly connect. He is both an obstacle and a catalyst—asserting his dominance yet ultimately stepping aside.
By the end of the night, Saskia is physically fulfilled but emotionally torn, aware that the past still exerts power over her. A snowstorm traps all three characters in the cottage, extending the encounter and forcing them into continuous proximity.
The physical storm mirrors Saskia’s internal emotional turbulence. Henry offers reassurance and a promise of support, while Casper, ever the provocateur, urges more hedonistic adventures.
The story continues with escalating eroticism and emotional complexity. Casper attempts to reclaim his influence over Saskia through charm, shared memories, and gifts.
Henry, however, offers a calmer, more deliberate form of intimacy, drawing Saskia toward emotional stability. As tension heightens, Saskia flips the power dynamics—literally.
She handcuffs the two men together, asserting herself as the dominant force in the room. This act of control is more than sexual; it marks a pivotal moment in Saskia’s reclaiming of her autonomy and identity after a failed marriage.
The sensuality becomes symbolic, a tool for empowerment rather than simply gratification.
The roles reverse dramatically. Saskia takes control, indulging in acts that satisfy, punish, and assert independence.
She sexually dominates Henry while taunting Casper, who is restrained and blindfolded. Though initially the instigator, Casper gradually loses his power, watching in awe as Saskia asserts herself.
The physical actions unfold alongside emotional revelations. Henry’s steady affection and emotional availability contrast starkly with Casper’s volatile energy.
The two men, caught in this charged dynamic, even begin to confront their own evolving sexual identities and emotional vulnerabilities.
Later, in a quieter moment, Henry and Casper share an honest exchange. Casper confesses that he orchestrated the entire reunion with the intention of giving Saskia one last gift: the opportunity to choose freely, to explore her fantasies without judgment.
His orchestrated gesture—though deeply manipulative—also comes from a place of final love and acceptance. Henry acknowledges his feelings for Saskia, realizing the depth of his commitment and the possibility of a future with her.
Saskia and Henry later solidify their relationship through heartfelt confessions. They admit to long-harbored feelings that only now, after years of missed timing, can fully surface.
The emotional climax follows the physical one, as they define their connection as a genuine, committed relationship.
On Christmas Day, the roles shift once more. Henry and Casper bind Saskia in a light-hearted game of sensual restraint, using paper chains and teasing gestures to stimulate her senses.
Blindfolded, Saskia is subjected to whispers, soft touches, and slow-building arousal. This erotic game is infused with emotional trust and mutual delight.
The dynamic among the trio evolves into something more consensual and fluid, grounded in respect and understanding rather than manipulation or confusion.
The story then culminates in a scene of intense eroticism where Saskia is restrained on the dining table while both men pleasure her. The act is not just about physical climax but about emotional surrender and mutual respect.
The three share a profound moment of vulnerability and connection. Boundaries dissolve further when Casper and Henry engage with each other, revealing a fluidity in their sexual identities that had previously been unexplored.
Afterward, Casper’s final departure marks a symbolic close. He gifts Saskia the cottage via divorce papers and announces a new partner, Lucilla, indicating his readiness to move on.
The gesture is tender and accepting, devoid of bitterness. Henry, now fully invested, expresses a desire to build a life with Saskia in London.
They begin plans to open a joint art dealership, signaling their commitment to both romantic and professional partnership.
One year later, the narrative loops back to another Christmas gathering. This time, Casper returns with Lucilla, and the group embraces a consensual, celebratory foursome.
What once teetered on the edge of emotional collapse has matured into a structure of chosen family and evolved intimacy. Saskia, once caught in the chaos of unresolved feelings and past wounds, emerges as someone who now commands her life, her relationships, and her happiness with clarity.
One More Gift is ultimately a bold, emotionally resonant exploration of identity, sexuality, and transformation. Through sensual exploration and shifting relationships, it tells a story not of division but of convergence, healing, and liberation.

Characters
Saskia
Saskia stands at the heart of One More Gift as its emotional and narrative anchor. An art dealer by profession, she is portrayed as a woman of striking emotional depth, sensuality, and evolving agency.
Saskia’s journey begins with an air of romantic idealism as she prepares a snowbound country cottage for what she hopes will be a passionate reunion with Henry, her longtime friend and former lover. Her meticulous preparation and longing reflect a desire for reconnection, both emotionally and sexually, after a period of physical and emotional distance.
However, her internal landscape is far more complicated than simple romantic yearning. The surprise arrival of Casper, her estranged husband, introduces a torrent of conflicting feelings—resentment, lingering attraction, and unresolved emotional threads.
Saskia’s entanglement with both men becomes a crucible for her transformation. Rather than remaining a passive recipient of male desire, she steps into a commanding role, flipping power dynamics to reclaim her own autonomy and explore her fantasies on her terms.
Her willingness to indulge in taboo and non-traditional sexual arrangements becomes a vehicle for personal liberation rather than degradation. Saskia’s arc is one of self-possession; she navigates shifting emotional tides with courage and vulnerability, ultimately choosing emotional clarity over chaos.
By the end of the narrative, Saskia is no longer caught between men—she is the orchestrator of her reality, embracing not only her sexual identity but also a more grounded emotional future with Henry.
Henry
Henry is the quiet storm of One More Gift, a figure of unwavering emotional depth and stability amidst the chaos that unfolds. As Saskia’s old friend and now-lover, he serves as both a grounding presence and a romantic ideal that stands in contrast to Casper’s volatility.
Henry’s arrival at the cottage is imbued with tenderness and anticipation, and his behavior throughout the story is marked by respect, sensitivity, and emotional maturity. He does not just seek physical intimacy with Saskia; he yearns for emotional fulfillment, quietly nurturing a love that has long gone unspoken.
Even when faced with the provocative intrusion of Casper and the unorthodox proposal of a threesome, Henry responds with introspection and care rather than impulsive jealousy. His participation in Saskia’s sexual liberation is not born out of bravado but out of a desire to support her freedom and deepen their bond.
As the narrative evolves, Henry’s affection only intensifies. His moments of possessiveness are tempered with a willingness to share, not out of insecurity but because he understands the complexity of Saskia’s emotional world.
His decision to move to London and propose a shared life with Saskia through a joint art venture reveals a man who is not only in love but also committed to building a future. Ultimately, Henry is portrayed as an evolved masculine ideal—tender, open, and courageous enough to embrace vulnerability and change.
Casper
Casper is the storm that disrupts and ultimately clarifies the emotional landscape of One More Gift. As Saskia’s estranged husband, he is a complex amalgam of lingering attachment, provocative mischief, and surprising emotional intelligence.
Initially, Casper appears to be the antagonist—arriving unannounced at the cottage, asserting his presence with an air of entitlement, and introducing chaos into what was meant to be a quiet reunion. His brashness and unpredictability set him apart from the calm and composed Henry, making him a disruptive force in Saskia’s carefully orchestrated plans.
However, as the narrative deepens, so does Casper’s character. He is not merely a jealous ex but a man grappling with his own desires, regrets, and emotional limitations.
His suggestion of a threesome is layered—not just an act of provocation but a strangely altruistic attempt to offer Saskia closure and clarity. His later submission to Saskia’s dominance, his emotional conversation with Henry, and his ultimate decision to step aside all speak to a man who is more self-aware than he initially seems.
Casper’s gift of the cottage and his symbolic departure mark a turning point, transforming him from agent of chaos to reluctant catalyst for growth. By the end, his reappearance with Lucilla and participation in a consensual foursome signal a man who, while once disruptive, has found peace in acceptance and chosen evolution over resentment.
Lucilla
Though a late entrant to the narrative of One More Gift, Lucilla plays a crucial role in reinforcing the themes of renewal, emotional closure, and evolving relationships. As Casper’s new partner, she is introduced with an aura of quiet confidence and openness.
Lucilla’s presence solidifies Casper’s emotional departure from Saskia and affirms that he has truly moved on. She is not cast as a jealous or judgmental outsider but as a willing participant in the unconventional family dynamic that Saskia, Henry, and Casper have cultivated.
Her involvement in the Christmas foursome signals not only sexual liberation but also emotional fluidity—a willingness to enter a space laden with past tension and transform it into something new. Lucilla’s character helps recast the narrative’s eroticism from a site of rivalry to one of shared joy and evolving intimacy.
She represents the possibility of new beginnings without erasure of the past and is a symbol of the story’s commitment to portraying nontraditional relationships as valid, fulfilling, and joyful. Her inclusion allows for a reframing of family, intimacy, and affection—beyond the bounds of monogamy, jealousy, or convention.
Through Lucilla, the story cements its celebration of chosen family and queer possibility.
Themes
Emotional and Erotic Ambiguity
The characters in One More Gift navigate a world where eroticism and emotional vulnerability are tightly entangled, making it difficult to distinguish between lust, love, and longing. Saskia’s rekindled connection with Henry is shaped not only by their past friendship but by years of sexual tension that never fully dissipated.
Their reunion is charged, intimate, and framed within the context of emotional safety, but it is quickly disrupted by Casper’s unanticipated intrusion. The physical relationships between the trio become vehicles for expressing unresolved emotions, pain, and affection.
The eroticism, while explicit, is never divorced from the emotional undercurrents of the characters’ shared histories. Even the most provocative acts—such as the threesome or Saskia’s domination of Henry and Casper—carry layers of symbolic meaning.
They are not merely physical expressions of desire but also emotional battlegrounds and avenues for catharsis. As lines blur between pleasure and pain, dominance and submission, past wounds and new possibilities, the characters experience both confusion and liberation.
Each sexual encounter forces Saskia, Henry, and Casper to confront the truth about what they want, what they fear, and what they’re willing to relinquish. In this way, emotional and erotic ambiguity becomes the language through which transformation occurs, showing that fulfillment and vulnerability often coexist.
Power, Control, and Reclamation of Self
Throughout One More Gift, Saskia’s journey is marked by a persistent negotiation of power—over her body, her choices, and her emotional trajectory. Initially presented as someone preparing meticulously for a romantic reunion with Henry, Saskia appears to be operating within a traditional, perhaps passive, framework of female desire.
However, as the narrative progresses, especially in the scenes involving sexual experimentation and emotional confrontation, she begins to actively assert control. Her act of handcuffing Henry and Casper together, and orchestrating their dynamic while she commands the room, represents a profound shift from passivity to agency.
This control is not simply about dominating others; it is about reclaiming herself in the aftermath of a failed marriage and navigating a complicated love triangle. Saskia’s authority is deeply intertwined with her emotional clarity—each act of power she exercises is a response to past erasure and a redefinition of self.
Casper’s initial dominance is neutralized not through confrontation but through Saskia’s demonstration of unapologetic freedom. Henry, by contrast, welcomes and supports her autonomy, reinforcing her journey.
By the end of the narrative, Saskia is no longer someone reacting to the actions of men but is instead the architect of her pleasure, her choices, and her emotional direction. Control, then, becomes both a physical and metaphorical act of reclamation, a declaration that she will no longer be defined by the past.
Queerness, Fluidity, and Sexual Identity
The story’s unapologetic exploration of bisexuality and polyamory challenges conventional narratives about sexual and romantic orientation. One More Gift does not frame queerness as a sudden revelation or source of conflict but presents it as an organic element of the characters’ evolving identities.
Casper and Henry’s moments of physical intimacy, including mutual pleasuring and emotional honesty, emerge naturally within the erotic context, reflecting a deepening of trust and vulnerability. Rather than sensationalizing or questioning the legitimacy of these exchanges, the narrative treats them as valid expressions of desire and affection.
The eventual foursome involving Lucilla furthers this normalization of polyamorous and queer dynamics, emphasizing consensual exploration and mutual respect. These relationships are not positioned as deviations from the norm but as valid structures through which the characters find connection, healing, and personal expression.
The story’s embrace of fluidity extends to emotional identities as well—each character redefines their roles as lovers, exes, and friends without rigid labels. Queerness here is not a plot twist; it is a quiet, steady presence that grounds the characters in authenticity.
This thematic lens transforms the narrative from a mere erotic encounter into a celebration of love that transcends binaries and traditional boundaries.
Healing, Closure, and New Beginnings
Beneath the eroticism and power dynamics lies a profound narrative of emotional healing and closure. Casper’s role, while initially disruptive, ultimately becomes that of a facilitator of Saskia and Henry’s union.
His decision to arrange the holiday, suggest a threesome, and eventually gift the cottage to Saskia, is a complex blend of final affection, guilt, and a desire for closure. These gestures signal his acceptance of the end of their marriage and his readiness to move on.
Saskia, too, is forced to confront the emotional residues of her past relationship, not through avoidance but through bold engagement. The sexual confrontations and emotional revelations act as tools for processing grief, resentment, and longing.
By facing these emotions head-on, the characters open themselves up to transformation. The transition from a love triangle fraught with history to a restructured, consensual, and respectful dynamic suggests that closure doesn’t always require severing ties but can come through reevaluation and emotional honesty.
Henry’s steady presence and offer to relocate and build a life with Saskia represent the possibility of new beginnings founded on mutual respect and understanding. The Christmas setting amplifies this theme, symbolizing rebirth and hope.
Healing here is not linear or sanitized—it’s messy, erotic, emotional—but it leads to liberation and newfound wholeness.
Autonomy, Desire, and the Female Gaze
One More Gift centers female desire in a way that resists traditional objectification and instead empowers Saskia as both subject and orchestrator. She is never a passive recipient of male attention; rather, she defines the terms of her pleasure and directs the gaze back upon her partners.
The narrative prioritizes her sensory experiences, her emotional reactions, and her internal conflicts, creating a fully realized portrait of a woman navigating complex desires. Even in the scenes of bondage and sexual submission, Saskia’s agency is preserved—these acts are chosen, not imposed.
Her engagement in taboo acts is not for male gratification but for her own self-exploration and expression. The erotic is reframed not as a spectacle for consumption but as an arena for empowerment.
The shifting dynamics between Saskia, Henry, and Casper are always grounded in her consent and curiosity. She initiates, she withdraws, she controls.
Her autonomy is not limited to her sexuality—it extends to her emotional decisions, her professional aspirations, and her evolving self-image post-divorce. The final scenes, including the consensual foursome and her collaboration with Henry in a professional venture, affirm that her identity is multifaceted and self-defined.
Desire becomes a channel for discovery, and Saskia’s gaze—unflinching, assertive, and honest—guides the entire narrative.