Strangers in the Car Summary, Characters and Themes
Strangers in the Car by C.M. Ewan is a suspense thriller built around one ordinary decision: stopping to help. When Abi and her boyfriend Ben encounter a stranded couple with a baby on a fog-choked Cornish road, their good deed turns into an all-night nightmare.
The strangers’ story doesn’t add up, the promised hospital is closed, and Abi senses a silent plea for help from the woman in the back seat. As the miles crawl by and the fog closes in, secrets surface—about debt, ransom, and a child whose fate is being used as leverage.
Summary
Abi and Ben leave Cornwall late at night after cutting short a weekend away. Thick fog blankets the roads, and the drive is tense even before anything happens.
Ben, a young lawyer, is focused on getting back for work, while Abi is exhausted and angry about how often she feels second place. They miss a turn and end up on a narrow, isolated lane.
A man suddenly appears in the fog waving a torch, and Abi swerves, barely avoiding him. Shaken, they continue until they spot a broken-down Mercedes with its hazard lights blinking.
A woman stands beside it with an infant seat visible, and despite Abi’s reluctance, Ben insists they stop.
The woman introduces herself as Samantha and says her hand is bleeding from trying to fix the car. She says her husband went to find help.
Moments later, the husband returns—Paul, the same man Abi nearly hit. He is polite but tightly controlled, and his urgency feels rehearsed.
Paul pushes for a lift to a hospital because the fog has made it impossible to get a taxi. Abi’s instincts scream at her to drive away, but Ben agrees to help.
Paul and “Samantha” load bags into Abi’s car along with the baby seat, and the group sets off into the dark.
Inside the car, Abi’s discomfort grows. She has been emotionally fragile since two miscarriages, and being near a baby is painful for her in ways she can’t explain to strangers.
Paul sits behind Abi, too close, watching her in the mirror. “Samantha” is quiet and jumpy, answering questions in vague phrases.
Their story doesn’t fit the details: the expensive hire car, the luggage, the unclear reason they are out on back roads at night. When Ben mentions they live in Bristol, the woman’s reaction is sharp—she says she and Paul live there too, in Clifton.
The coincidence feels too precise, as if she has been waiting to hear that word.
Abi notices something else: “Samantha” begins making deliberate, slow blinks at her through the rear-view mirror, as if trying to send a message without speaking. Abi can’t respond without alerting Paul, but she understands the intent—this woman is asking for help.
Before Abi can decide what to do, Ben checks his phone and discovers the nearest hospital’s emergency department is closed for the night. The destination they’ve been heading toward is effectively deserted, leaving them on a foggy road with strangers whose motives are unknown.
Abi persuades Ben to drive to the hospital complex anyway, hoping to create a reason to get out, separate the couple, and call for assistance. At the building, everything is shut.
The nearest full emergency unit is far away, and the strangers now press for a bigger favor: a lift back toward Bristol by morning, with the option to divert to Plymouth if the injury worsens. The request is presented as practical, but Abi hears pressure underneath it.
Against her better judgment—and with Ben trying to be decent—Abi agrees.
As the night stretches on, Abi’s suspicion hardens. Paul is hyper-alert about being seen and avoids places where cameras might record them.
At a petrol station, his fear spikes when he notices a silver BMW nearby. Abi tries to get “Samantha” alone by inviting her to the bathroom, but Paul insists on following and keeps control of the movement.
While Abi is inside the ladies’ toilet, she faces a private shock of her own: she has just realized she is pregnant.
Ben, rattled by the atmosphere, enters the ladies’ bathroom to speak to Abi out of earshot. He tells her something that makes her blood run cold—he looked into the baby seat while they were outside, and it is empty.
There is no baby. Abi realizes that, in the cramped, foggy chaos, she has never actually seen the child’s face beneath the coverings.
The “baby” has been a shape, a prop, a presence implied more than confirmed.
Back outside, the situation snaps from threatening to violent. Paul produces a gun, and in the confrontation that follows, Ben is shot.
Another man, Gary, is killed as well. Paul forces Abi back into the car at gunpoint and orders her to drive.
Abi tries to appeal to “Samantha,” still hoping she is a victim who will help stop this, but the woman avoids her eyes. Abi understands she is trapped with a desperate man holding a weapon and a second passenger whose role she can no longer guess.
On the road, Abi tries to signal for help by tapping her brakes in a pattern meant to read as SOS. A car behind them notices something strange but misreads it and speeds away.
Paul catches what Abi is doing and lashes out, confirming how unstable he is. Then the story breaks open.
The woman turns cold and admits she is not Samantha. Her real name is Collette.
Paul’s wife—the real Samantha—was already dead, and her body has been in the abandoned Mercedes. Ben, injured but alive, later finds the Mercedes, breaks in, and discovers Samantha’s corpse along with her phone and a family photo that proves the truth.
Collette reveals that five days earlier, she and an accomplice invaded Samantha and Paul’s home and took baby Lila. Paul’s gambling debts triggered the kidnapping, and the ransom demand rose to £250,000 in cash.
Samantha’s wealthy parents could raise a large sum, but nowhere near enough to guarantee safety. Under threat to his child, Paul has been forced to cooperate with Collette’s plan.
The “baby seat” in Abi’s car was a cruel stage piece, used to control the scene and manage witnesses.
Abi is driven to a remote cabin, where Collette’s accomplice Jason is waiting. Inside, Paul discovers that Lila is actually there, asleep in a baby swing.
His relief is immediate and raw, but Collette refuses to let him leave cleanly. She wants money, control, and silence.
Her final demand is that Paul must kill Abi as “proof” he will obey. Paul refuses—until Collette angles her gun toward Lila, making it clear she will shoot the baby if he won’t comply.
Abi manages to cut through the duct tape binding her wrists with a shard of glass. When Jason reaches for her, she slashes his throat, then smashes a chair into Collette’s head and grabs Lila’s car seat.
She runs into the woods with the baby as gunshots crack behind her. In the chaos, Paul tries to stop Collette from firing near Lila, but Collette shoots him in the back, then again, leaving him dying on the forest floor.
Abi stumbles through the dark, injured and terrified, and finds evidence that Collette planned to bury multiple victims in a prepared pit. She reaches her car but has no keys.
Collette appears, taunting her, and a brutal struggle follows as Abi uses the rolling car to escape. Jason is crushed under the vehicle, and Abi flees toward a river.
She hides Lila in reeds and confronts Collette with an empty blanket to misdirect her. When Lila cries, Collette turns—and Ben arrives, guided by a tracker hidden in the cash bag by Samantha’s father.
Abi retrieves the gun and shoots Collette before she can attack Ben.
Police and paramedics arrive. Lila is treated, and Abi is taken for care as well, with Ben insisting the medics know she is pregnant.
Abi learns Gary is dead. She also learns that Samantha is alive—gravely injured, but in surgery, fighting to survive for her daughter.
Eighteen months later, Abi is Lila’s nanny, Samantha is recovering in a wheelchair, Jason is imprisoned, and Abi and Ben are raising their own son while helping Lila grow up safe.

Characters
Samantha Clarke (Collette)
Samantha Clarke, later revealed to be Collette, is the central character whose life is defined by fear, deception, and a desperate drive to protect her daughter. In the beginning, Samantha presents herself as a woman deeply entrenched in a dangerous, harrowing situation, constantly on the run from a past she cannot escape.
Her vulnerability is highlighted by her subtle expressions and gestures, especially her attempts to silently communicate with Abi, signaling distress without alerting Paul. As the story unfolds, it is revealed that Samantha is not the innocent mother she appears to be but rather a calculated kidnapper with a dark past.
Collette’s manipulation is chilling, as she orchestrates the entire kidnapping and forces Paul into compliance through guilt and fear. Her cold control over Paul, her initial act of deception, and her ruthless pursuit of money and power reflect her true nature.
Samantha’s breakdown as the truth emerges shows the emotional toll of her criminal actions, yet she remains in control to the end, using her role as a mother to justify her actions. Collette’s sinister behavior is balanced by moments of raw vulnerability, as she struggles with the unbearable reality of the situation she created.
Ultimately, Collette is a tragic character, driven by desperation and selfishness, with little regard for anyone except herself and her daughter.
Paul
Paul, the father of the kidnapped child, is a character torn between guilt, fear, and helplessness. At first glance, Paul appears to be a protective father, anxious to keep his family safe from the terrifying people chasing them.
His protective instincts are genuine, but his actions reveal a darker side: his past mistakes, particularly related to gambling, have put him in an inescapable position. The revelation of his guilt over his role in Lila’s kidnapping is a turning point for Paul, as he becomes more a pawn in Collette’s scheme than a decisive actor in his own right.
His emotional breakdown, particularly after he is forced to participate in the murder of innocent people, illustrates the inner turmoil he faces, trying to protect his daughter while being manipulated by Collette. His conflicting emotions—love for his daughter, guilt for his involvement in the crimes, and fear of Collette—make him a deeply complex character.
Paul’s despair reaches its peak in the later stages of the story, where he is caught between trying to escape Collette’s control and the overwhelming fear that his disobedience will lead to his daughter’s death. His tragic end, marked by his eventual realization of his inability to escape Collette’s grip, underscores his vulnerability and the crushing weight of his past mistakes.
Abi
Abi is the story’s emotional anchor, a woman caught in an increasingly perilous situation as she drives through Cornwall with her boyfriend, Ben, and two strangers—Samantha and Paul. Her primary motivation is her desire to help others, but she is increasingly drawn into a web of manipulation, lies, and danger.
Abi’s character is defined by her emotional fragility and her profound sense of helplessness, particularly after her two miscarriages. This emotional backdrop gives her an intense aversion to babies, which only heightens her discomfort in the presence of Lila, the kidnapped child.
Her emotional sensitivity and her growing suspicion about Paul and Samantha’s motivations make her an empathetic character, and her instinctual drive to protect Lila pushes her to take increasingly dangerous actions. Despite her vulnerability, Abi displays incredible strength and resourcefulness when it matters most.
Her quick thinking in the cabin, where she fights back against Jason and Collette, reveals a side of her that had been previously hidden. Abi’s transformation from a frightened, emotionally distressed woman into a determined, courageous survivor is one of the most compelling aspects of her character arc.
By the end, Abi’s relationship with Ben and her role as Lila’s nanny illustrate her profound growth, as she embraces a new sense of purpose and responsibility.
Ben
Ben, Abi’s boyfriend, is initially depicted as a calm, collected figure who appears to have a practical approach to life. However, as the tension in the story increases, his character reveals deeper layers of conflict.
Ben’s primary role in the narrative is to serve as a grounding presence for Abi, yet his relationship with her becomes strained as he is caught up in the increasingly perilous circumstances. His initial lack of understanding about Abi’s emotional turmoil, especially regarding her pregnancy and their relationship, is a source of tension between them.
However, Ben’s true nature as a protector emerges as the story progresses. He is resourceful and brave, and his willingness to search for Abi when she is taken shows his deep care for her.
His confrontation with Collette and his role in the final rescue mission help to solidify his importance in the story. Ben’s growth as a character is subtle but evident: he evolves from a somewhat distant partner into a proactive and supportive ally, especially in his final efforts to find Abi and bring her to safety.
His dedication to her, as well as his willingness to put himself in danger to protect her, demonstrates his loyalty and strength of character.
Jason
Jason is a secondary antagonist who plays a pivotal role in the later stages of the story. He is a henchman of Collette, and his physical presence and violent tendencies serve as a constant reminder of the danger Abi faces.
Jason’s cold and ruthless nature is revealed when he assists Collette in kidnapping Lila and forces Abi into the remote cabin. His role is to enforce Collette’s commands, yet he is not immune to the emotional and psychological toll of the situation.
Jason’s physicality is in stark contrast to Collette’s manipulative finesse; while she operates through subtlety and psychological manipulation, Jason relies on intimidation and brute force. His eventual downfall—killed by Abi in a desperate moment of self-defense—highlights the theme of survival and resilience that runs throughout the narrative.
Jason’s character serves as an obstacle to the protagonists’ survival, and his violent actions contribute to the tense, high-stakes atmosphere of the book. His eventual death underscores the brutality of Collette’s plan and the degree to which she controls those around her, including Jason himself.
Themes
Fear and Paranoia
The atmosphere of Strangers in the Car is saturated with fear—both immediate and lingering. From the moment Samantha and Paul appear on the page, their every action is guided by dread.
The constant sense of being watched and pursued transforms ordinary acts—checking a hotel room, retrieving a forgotten bag, driving along a country road—into nerve-racking experiences. Fear here functions as both a psychological state and a narrative driver, shaping relationships and eroding trust.
Samantha’s fear is rooted in maternal vulnerability; she is haunted by the threat to her baby and the unseen forces manipulating their lives. Paul’s fear, however, stems from guilt and self-inflicted ruin.
His debts and deceit bring danger upon his family, yet his pride prevents him from seeking lawful help. This shared terror corrodes their marriage, reducing their communication to suspicion and coded exchanges.
Abi’s encounters with Samantha and Paul amplify the theme of paranoia. The fog that envelops the roads of Cornwall becomes an external reflection of internal uncertainty, as no one can distinguish between victims and perpetrators.
Abi’s personal anxieties—her miscarriages, strained relationship, and new pregnancy—make her especially susceptible to doubt and misjudgment. Fear in the novel does not remain confined to the characters; it spreads through their interactions, creating a contagion of mistrust.
The narrative shows how fear distorts perception, turning allies into enemies and moral clarity into a luxury. By the end, paranoia becomes indistinguishable from reality, as deception and danger have consumed every safe space.
Guilt and Responsibility
The story’s emotional weight is built around guilt—personal, moral, and collective. Paul’s gambling addiction triggers the entire catastrophe, but his guilt is not limited to financial recklessness; it extends to his failure as a husband and father.
He carries the unbearable knowledge that his daughter’s kidnapping is the result of his own actions, and this burden drives him toward moral collapse. Samantha’s guilt is more subtle but equally devastating.
She blames herself for trusting Paul, for not recognizing the signs of danger sooner, and later, for pretending her kidnapped baby is still alive. Her denial is not mere madness but a desperate mechanism to evade guilt’s crushing weight.
Abi’s guilt operates on a different plane. Having lost pregnancies and struggled with emotional trauma, she projects her pain onto others, questioning whether she deserves safety or motherhood.
When she becomes entangled in the nightmare of Samantha and Paul, guilt transforms into a moral trial—whether to help strangers at the cost of her own safety. The novel repeatedly confronts readers with moments where responsibility blurs into complicity.
No one is entirely innocent, and even acts of kindness carry consequences. By the end, guilt becomes a unifying thread that binds all characters, revealing how easily moral choices can spiral into irreversible damage.
Strangers in the Car portrays guilt not as a moment of remorse but as a lifelong companion, a haunting force that dictates every decision and leaves no one untouched.
The Fragility of Trust
Trust, in Strangers in the Car, is both a survival tool and a trap. Every relationship—romantic, familial, or circumstantial—is tested against deception and fear.
Samantha and Paul’s marriage begins as a partnership but erodes under secrecy and lies. His concealment of debts and her ignorance of his dealings make their bond hollow, founded on half-truths rather than loyalty.
The breakdown of their trust creates space for external manipulation; when Collette enters the story, exploiting their desperation, she becomes a symbol of how misplaced trust can be weaponized.
Abi and Ben’s relationship mirrors this collapse. Their drive through the fog-laden countryside becomes a psychological journey through distrust.
Abi’s insecurities about Ben’s commitment, combined with his dismissive attitude, fracture their unity. When they meet Samantha and Paul, their conflicting instincts—Abi’s intuition versus Ben’s rationality—highlight how fragile trust becomes under pressure.
The novel’s structure itself enforces mistrust: dual timelines, unreliable perspectives, and withheld truths keep the reader as uncertain as the characters. Trust here is never pure; it is a gamble taken in the dark.
By the climax, betrayal is indistinguishable from survival, and the act of trusting someone becomes an act of courage rather than comfort.
The Corruption of Love
Love in Strangers in the Car is portrayed not as a source of redemption but as a dangerous weakness that can be exploited. Paul’s love for his family, though genuine, is contaminated by addiction and deceit.
His desperate attempts to save Lila and protect Samantha are driven as much by guilt as affection, showing how love can coexist with selfishness. Samantha’s maternal love, meanwhile, is stripped of logic and anchored in denial.
Her refusal to accept Lila’s kidnapping reflects how deep love can twist into delusion when grief becomes unbearable.
Abi’s emotional arc also revolves around love’s fragility. Her strained connection with Ben, rooted in loss and unmet expectations, leaves her vulnerable to manipulation.
Her compassion for Samantha becomes a stand-in for the maternal love she fears she can never express again. By the novel’s end, love has caused as much destruction as salvation.
Collette, the story’s antagonist, perverts love into control—using Paul’s paternal devotion as leverage to maintain dominance. The final chapters, where Abi rescues Lila and rebuilds a semblance of family, suggest that love, despite its potential for ruin, still holds the capacity for healing.
Yet the recovery is not romanticized; it is hard-earned and shadowed by trauma. Love in the novel is both the reason for survival and the origin of suffering, revealing its dual capacity to create and destroy.
Identity and Deception
The fluidity of identity is one of the novel’s defining forces. From the beginning, every character conceals something—past crimes, emotional wounds, or hidden motives.
Samantha’s transformation into Collette and the revelation that “Samantha” is an impostor underscore how fragile identity becomes under pressure. Names, roles, and appearances shift constantly, making it nearly impossible to distinguish truth from performance.
The dual-timeline structure reinforces this instability, suggesting that identity is always constructed through perception and fear rather than fact.
Paul’s identity unravels as his moral and psychological state deteriorates. Once a husband and father, he becomes a man defined by desperation and dependency.
His inability to control his own story makes him an easy pawn in Collette’s manipulation. Abi’s identity crisis, though less overtly criminal, is just as intense.
Her miscarriages, doubts about her future, and discovery of pregnancy force her to re-evaluate who she is and what she can endure. The novel treats deception not simply as deceit but as survival—characters lie because truth offers no safety.
Even the narrative deceives, withholding key revelations until the final act, mirroring the confusion that defines the characters’ lives. In Strangers in the Car, identity is a mask worn to protect, manipulate, or endure, and when the mask finally falls, it reveals how trauma can reshape the very sense of self.